Buy Sound Mixer
I've got hands-on experience with a wide variety of amplifiers, processors, microphones, speakers, cables, adapters, power supplies, headphones, and basically any and all types of gear that makes music sound great.
buy sound mixer
My extensive studio and stage work has taught me two lasting lessons about gear: How crucial it is to get the technical details right. And the value of finding the clearest path to great-sounding audio.
If you're recording, you won't necessarily need a physical mixer if you're using a computer audio interface and digital audio workstation (DAW) software like Pro Tools, Garageband, Ableton Live and others. That's because a DAW has a virtual mixer that you control with your computer, tablet, or even your smartphone.
Live mixing is a different game. You're still doing the same basic operation: controlling the levels of individual sounds to create a balanced mix. But live signals are necessarily much louder and stronger.
Feedback occurs when a microphone picks up the sound frequencies it is helping to send through the main or monitor speakers, producing at best a series of intrusive whistles and at worst an ear-splitting howl.
But when feedback still finds its way into the speakers, the mixer can play a big part in the solution. It lets you reduce volume levels and tweak EQ and effects to help keep feedback from ruining the sound.
Analog mixers are great for live sound, and often for recording as well. For live sound, they require either powered speakers or an amplifier with non-powered PA speakers, plus the necessary cables for connecting your sources to the mixer.
But if you're mixing for a performance in a larger room, the board needs to be in front of the performers, in the "sweet spot." For that, you'll need a heavy multi-channel extension cable called a snake. Even then, you're stuck in one spot, so it's harder to make sure the mix sounds good everywhere.
A powered mixer is an analog mixer with built-in amplification. Powered mixers are compact, portable, and easy to set up. They work with non-powered PA speakers. They're great for band practice and smaller-room settings.
Powered mixers aren't really designed for recording. That said, I once made an album using my old Yamaha EMX 66M to record the basic bass, guitar, and drum tracks live. We used four mics for the drums, one for the electric guitar, and plugged the bass straight into the mixer. I probably wouldn't do it again, but it had a listenable, retro-psychedelic garage-y sound.
Digital mixers offer a wide range of control capabilities. You can save and recall setups, which is a big time-saver for bands that play the same rooms on a regular basis. This is also great for making quick scene-by-scene changes during theatrical productions.
A powered mixer can work well for a soloist or small acoustic act. The compact size and modest output of most powered mixers make them a good choice if you're playing in coffeehouses, classrooms, and other small spaces.
A simple powered mixer with two or three vocal mics might be plenty for rehearsal and house shows. But if you're getting more serious about playing larger shows, you might consider an analog or digital mixer with plenty of input channels for every member of the band. They can add up fast.
So a non-powered digital or analog mixer and some powered speakers might be the more flexible, future-proof option. The digital mixer route also allows for more extensive, hardware-free effects like reverb and delay.
If you want a podcasting mixer for broadcasting voices and background music, you'll need a small digital or analog mixer with a USB output so you can stream or upload your mix to your network. Take a look at our article on How to start a podcast if you want to learn more.
To get an output signal for live sound or analog recording, most mixers have balanced and unbalanced outputs. Especially for recording, you'll want to use balanced XLR or 1/4" TRS (tip, ring, sleeve) outputs for the most noise-free wiring connections.
Each channel on a mixer usually has some type of frequency equalization control. Treble, mid, and bass controls can eliminate feedback, give an acoustic guitar body, or help vocals cut through the mix.
Some analog mixers feature onboard dynamic compressors. Compressors keep the signal from getting too strong or sounding too weak. Compressors are very useful when working with drums or a singer who screams occasionally.
JBL is an American company that manufactures audio equipment, including loudspeakers and headphones. The firm contains two independent divisions: JBL Consumer serves the consumer home market, and JBL Professional serves the studio, installed sound, tour sound, portable sound, and cinema markets. JBL is owned by Harman International Industries, a subsidiary of Samsung Electronics.
n 1933, head of the Metro-Goldwyn-Mayer (MGM) sound department, Douglas Shearer, dissatisfied with the loudspeakers of Western Electric and RCA, decided to develop his own. John Hilliard, Robert Stephens, and John F.
Over the next two decades, JBL went more mass-market with their consumer (Northridge) line of loudspeakers. At the same time, they made an entry into the high-end market with their project speakers, consisting of the Everest and K2 lines. JBL became a prominent supplier to the tour sound industry, their loudspeakers being employed by touring rock acts and music festivals. JBL products were the basis for the development of THX loudspeaker standard, which resulted in JBL becoming a popular cinema loudspeaker manufacturer.
Rode Microphone is an Australian-based manufacturer of microphones as well as the related accessories and audio software. Its products are used in studio and location sound recording along with live sound reinforcement.
Rode is known for its professional quality sound that is widely loved across all industries. Rode Microphones are considered to be best for studio quality sound. The price might be quite expensive than other normal microphones because it is designed to produce the best quality sound.
The Ui Series mixers feature cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the Ui12 and Ui16 each feature built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more.
Manage the audio recording media and set-up sound report.Create a new project, select the recording media and define what type of file format will be put on each media.. Selection of recorded file format (MONO, PDF & MIXDOWN) and proxys. Up to three Custom PDF, ALE or CSV sound reports. Media formatting
Elevate your performances with updated, studio-quality effects and advanced digital audio processing. Never run out of options with channel-independent EQ, dynamics, and effects. Get your perfect sound fast with Bose ToneMatch processing for natural-sounding vocals and instruments, while zEQ focuses your tone for effective adjustments on the fly. When used with Bose L1 and F1 systems, the T4S mixer allows full end-to-end optimization of your sound.
The T4S integrates with your performance using illuminated, tactile controls and indicators for spontaneous sound adjustments, even on dimly-lit stages. Jump into settings with the fast-learning, intuitive control interface. Additional features like tap tempo delay, built-in chromatic tuner, and recallable scenes makes it easy to be ready to play. The T4S is the ultimate on-stage companion for performing artists.
For its size, the stereo T4S mixer gives you unprecedented connectivity with control. Four main channels feature high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power. Additionally, the T4S offers two Aux sends, two Aux inputs, stereo balanced outputs, two ToneMatch outputs for digital audio with remote power, USB-A and -B for USB drive playback or PC/Mac interfacing, a dedicated headphone jack, and " TRS analog outputs.
Take control of your music with T4S and T8S ToneMatch mixers, compact 4- and 8-channel interfaces designed for performers. Engineered with powerful DSP engines and intuitive user controls, they offer studio-quality EQ, dynamics and effects processing. Sound great with integrated Bose ToneMatch processing and zEQ, especially when connected to a Bose L1 or F1 system for full end-to-end tonal control. Play confidently on stage with these rugged ToneMatch mixers using tactile controls, easy-to-read LED displays and scene recall. ToneMatch mixers, the ultimate on-stage companions for performing artists.
Powerful Audio ProcessingElevate your performances with updated, studio-quality effects and advanced digital audio processing. Never run out of options with channel-independent EQ, dynamics, and effects. Get your perfect sound fast with Bose ToneMatch processing for natural-sounding vocals and instruments, while zEQ focuses your tone for effective adjustments on the fly. When used with Bose L1 and F1 systems, the T4S mixer allows full end-to-end optimization of your sound.
Easy Live Streaming A Bose T4S ToneMatch mixer is the perfect audio interface for live streaming your performances on platforms like Facebook and Instagram Live. Connect easily to your Mac or PC with the onboard USB interface. Then use the studio-quality microphone pre-amps, phantom power, EQ, dynamics, and effects to take control of your sound and bring your live stream to life.
Seamless Live ControlThe T4S integrates with your performance using illuminated, tactile controls and indicators for spontaneous sound adjustments, even on dimly lit stages. Jump into settings with the fast-learning, intuitive control interface. Additional features like tap tempo delay, built-in chromatic tuner, and recallable scenes makes it easy to be ready to play. The T4S is the ultimate on-stage companion for performing artists. 041b061a72